الفهرس 
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Abstract
This thesis negotiates and reconstructs the image of the Asian-
Americans, specifically Chinese and Japanese races, which is fixed in
Western mindset. These races are often viewed as the threatening,
undesirable, and yellow-skinned cunning people. The thesis, also,
highlights not only how these negative stereotyped images are
fundamentally based on Western assumptions and flimsy ideas, but
also it attempts to reveal their untruthfulness and deceptiveness.
In an attempt to verify the aforementioned idea, the thesis
focuses on six plays by two Asian-American playwrights: David
Henry Hwang, a Chinese-American dramatist, and Philip Kan
Gotanda, a Japanese-American playwright. In each play, the reader
sees two groups of different ethnicity who are striving: one group
comprises both Asian and Asian-American characters who attempt to
challenge the constructed images surrounding their race, whereas the
other is the Western people who adhere to the preconceived ideas
engraved in their consciousness.
The method of approach employed in this thesis is an
interdisciplinary one. The study comprises three chapters, in addition
to an introduction and a conclusion. The introduction provides a
detailed account of the image of the Asians and Asian-Americans in
the American West, and the various types of prejudice and persecution
exercised over them. The first chapter focuses on the clear-cut
distinction set between the East and the West. Chapter two handles the
issue of racism and its damaging impact on the image and psyche of
the Asians in dominant cultures. The third chapter explores the notion
of stereotyping and its negative effects on the Asian-Americans in the
United States of America. Finally, the conclusion is a summing up of
the findings of the thesis.