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العنوان
البناء السردي في قصيدة الحداثة
شعراء السبعينيات نموذجا/
المؤلف
بدر، عادل حلمي إبراهيم.
هيئة الاعداد
باحث / عادل حلمي إبراهيم بدر
مشرف / محمد فكري الجزار
مشرف / سعيد شوقي سليمان
مشرف / محمود محمد فتح اله الفوى
الموضوع
اللغة العربية.
تاريخ النشر
2013 .
عدد الصفحات
700 mg.
اللغة
العربية
الدرجة
الدكتوراه
التخصص
اللسانيات واللغة
تاريخ الإجازة
15/5/2013
مكان الإجازة
جامعة المنوفية - كلية الآداب - اللغة العربية.
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 395

from 395

المستخلص

Introduction: - Not optional for this search as a message like the doctoral coincidence, but is the outcome of my interests in poetry, and consistent with Meule since I joined the Faculty of Education, and Faculty of Arts, and this choice is due to: - 1 - need to reconsider the premises of old to the new hair in general, and seventy-modern poetry in particular. 2 - to discuss issues related to this poetry, and to highlight the origins of property. 3 - study the phenomenon of narrative poetry, as one of the pillars of modernist poem. 4 - building approach is capable of detecting the properties of the phenomenon. This came in response to selection self-motivated, and a genuine desire to highlight one of the faces of modern poetry, represented in the generation of the seventies poetry. It is clear motivation to choose the title of the message (the narrative construction of modernity in the poem, he felt the seventies model) Study the mechanism of narrative poetry in which adventure; they go into a deep abyss, requires alignment between the mechanisms of the study and its materials, including without prejudice to both, and only the study will look arbitrarily for poetry, or in violation of the Platform. He has represented the hair in the texts of the study environment for the listing and absorbed him; which infused the narrative some of the characteristics of poetry, Time, in the texts of the study is not related, as in narrative prose, poetry earned him the characteristic fragmentation, seemed in the form of blocks fragmented, separated by gaps and descriptive or time deleted. The advantage of narrative in poetry that moves away from the track the details of storytelling, but events come intermittently, and brief details, if reported at the site of what they remember for the purpose of art, not merely a poetic. Thus, this letter seeks to try to detect the construction of narrative poetry of the seventies by answering several questions, including: - Can be built in the narrative with a different hair Ojnashma? - Is there enough hair in the style narrative to say, the existence of the construction of a narrative, it carries the meaning of the word narrative of systematic and critical? If the narrative was based in the models may be selected for the study of poetry, how was this building? - Can Find hair a thing of the deviation or disruption to Mvhomat narrative? - Did you find the configurations of poetry defies narrative or rebel against it? - Is the latest change in the nature of narrative poetry of the texts? - How can we form the identity of the text in the light of this overlap? - Will contribute to the narrative in a poetic text provoking modernist? Was not it? It was these questions catalyst behind the choice In terms of why the second part (the seventies hair)? This term refers to a group of poets who emerged in the second half of the seventies and formed groups ”Lighting 77” and ”voices” and were joined by poets in the vision and spirit, and there is going with these poets through the phenomenon rhythmic studied, and not as individuals. As for why these particular? Because this generation rebelled against the familiar relations of poetry and tried to establish a new vision of poetry, but can we consider that the start of the movement of a range of time-thirty-five years. Then ask the question Is it possible to reveal to us the seriousness of the narrative text seventy? In light of these research questions generated - The process of selecting a method of research is separate from the subject, but is the start of the study, this research has been adopted to collect material from dozens of bureaucracy, and find find
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some of the bureaucracy - were selected from the poems as a phenomenon, so that it appears the model selected is not representative of the same, but expressed from other models is selected, and became the foundation is the pursuit of the phenomenon of interest, regardless of the poet himself. - There is a wide difference between the approach and methodology, the former implies a commitment to see the theoretical and procedural precedent on the issue he quit and independent privacy phenomenon achieved already, which makes the commitment by the unfeasible for the phenomenon of usefulness realized by himself through it turning it into a witness to the right to see and eligibility procedures - The methodology determines the substantive commitment to it, and thought of calling a researcher with the selection of methods and procedures of selection and organization of this and that in an integrated format and standard that the selection and this selection is the subject of study itself - And then have committed to the methodology and the preferred approach and has demonstrated this methodology in the classroom The study is divided to the entrance of a constituent and four chapters: The entrance was interested in monitoring the terms current in the science of narrative and the relationship of narrative poetry, in general, and poetry of modernity, in particular, as well as monitoring the substantive differences of these terms of the researcher to another; begging thus establishing the concept of a specific and clear to (the narrative ) as a base for four seasons and trends are: Founded: narrative, poetry Chapter I: the theory of species Chapter Two: the narrator in the poetry of modernity Chapter Three: Personal modernism in poetry Chapter IV: Mechanisms for building time in the poetry of modernity.