الفهرس 
IntroductionOnly 14 pages are availabe for public view
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Abstract
This study about Bakhatin’s Dialogism and Carnivaesque in Tom Stoppard’s Theatre so it contains introduction with the aim of the study and the purpose of subject, it also contains Bakhtin’s Dialogism : Sociolinguistics Metalinguistics, Authoritaative and internally Persuasive Discources, centripetal and Centrifugal Forces, Monologism, Means of Dialogism and types of Dialogism.
- It also contains Drama against Novel in Bakhtin’s Dialogism : Bakhtin and the novel, Inconsistencies in Bakhtin;s Arguments, Reconciling Bakhtin to Drama.
- Carnivalized Dialogism in Tom Stoppard’s Indian Ink, Parody in Stoppard’s Rosencrantz and Guildenstern are Dead, Double Voicing and Dialogic Monologue in Stoppard’s Night and Day and conclusion.