الفهرس 
المحتوىيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
Conclusion
This research has studied Lamentation Poetry in the Seljuk era stylistic objective study through stylistic approach.
Here comes the top results that can be learned through the items of research :
1) The State Seljuk - despite un civilizational and foregine - an extension of cultural and civilizational Arab and Islamic civilization.
2) varied forms of lamentation in age Seljuk, between scar and obituaries and condolences, this diversity make poets era Seljuk diversify their teaditional Technical poems; came some Mentahja traditional style old-based boot for the purpose, and came the other Mentahja enter directly into the purpose of Lamentations, has dominated this approach the other on the Lamentation Poetry; was mostly in most of the poems where 75% of the number of poems, and this confirmed the enjoyment of the poem features thematic unity.
3) With regard to phenomena construction voice has emerged through the study of the phenomenon of onomatopoeia, which is one of energies many owned by language in the expression and suggest, diversity tools used by poets; starting sound and the end of the word, may arise this simulation of a repeat of one voice again complies with nature meaning partial express it vocabulary House Sirius, may arise from repeated several voices converged in the director and character, such as votes wheezing (Q. p. St.. g), was created through some voices spaced in the director and qualities such as (r. M.. j . e), may arise from the simulation movements linguistic long and short, may arise from the onomatopoeia of the act quartet debilitating, and is derived from it, may arise finally through the structure of the word, as they contribute wording and format audio, length and limit the representation of significance and embody meaning; thereby contributing this phenomenon largely to highlight the licentious more over; Voalt of the value of the building to access the meaning, and made creative reclines in the delivery of his feelings and thoughts, and this showed the ability of high-him in the recruitment of potential Arabic; order line segment with everyone, signifier with the signified, without cost - often - hurt context and reduces the content.
As well as this was onomatopoeia diverse value rhythmic large; increased intensify case musical within the poetic text, which relies heavily on the influence music varied; because whenever varied tools and methods that represent the music poetry increased ability creator of delivering meaning, a goal sought him - with all its expressive potential underlying phenomenon - to access it effective steps.
4) poets mani pulates some characteristics of the Arabic language poet in the expression for the purpose Lamentations; Vaatmdoa in the verbal construction of poems on the rhetorical colors such as: repetition, homogeneity of both types, juxtaposition of both types, verbal Almzauajjat, and parallelism in the wording.
The excelled in hiring utilize summoned context tirelessly significantly; were key elements to highlight the artistic value and semantic text, and significance on the capacity of language dictionary with poets of that era and show their ability to employ to serve the context of linguistic and psychological climate year for the purpose of lamentation.
5) predominance of traditional images Bonamatha rhetorical of analogy and metaphor and metaphor to portray their ideas, and to highlight their feelings about Almrthein great who Rthohm faithfully and fulfill, DL on their ability high in the formation of their pictures as appropriate - often - with the purpose of lamentation, and in line with the Arab heritage.
Poets has relied on some stylistic phenomena in the structure such as: diagnostic and embodiment; Vqrbua meanings to mind.
The synthetic phenomena has been monitored through some aspects of the exit criteria fixed language, such as presentation and delays, deletions, and the objection.
This has been going out - often - Optionally, resorted to some poets in order to give some indications and rhetorical goals that contribute to highlight the beauty of the meaning and richness, and sometimes it was forced by some poets to reach the section of the house, and maintain Rhyme.
6) the elements rhythm internal and external combin together to highlight the building rhythmic diverse in Lamentation Poetry, and adopted poets ten Bahour only Bahour hair sixteen, are arranged: (long - full - simple - ample - converging - light - fast - sand - Almnsarh - shun ), and this means the balance in the recruitment of one-Trochee seas at times, and the seas vehicle at other times; This has led to the diversity of music through the diversity of Activations.
For Rhymes came frequent rhyme ranked first in terms of the large number of roses, then followed rhyme Almtdark, overlapping Faqafah, and then rhyme.
Has rhymes function semantic and rhythmic through rhymes absolute, which came more than restrictive, which accounted for 98.3%, and this percentage is higher than the past decade in abundance in Arabic poetry (), a rhyme play great in building musical ”because of its openness on ABC tide; For these characters the power of music because of their clarity voice ”(); This helped spread the rhythmic tide in the poem; This rhythmic work on the integration desired by any poem sender wants to influence profoundly in the future.
This was demonstrated through two levels: Horizontal depends on several elements, including audio, such as: (repeat character Elroy - repeat root the rhyme - Altbara and Altbara, etc.), including such semantic: (Altouchih and filtration).
The vertical level rely on several elements, including: (character Elroy, and rhyming titles, convergence between voice rhymes Tagged, contrast, repetition, Alaitae, homogeneity, Allzumiat).
7) coined poets poems in most of the letters of the alphabet, was twenty-six characters of the twenty-eight are all Arabic language characters, and this shows the breadth of poetic dictionary of these poets.
The letters were Elroy more Almjhorh and Rhoda of Almanmosh; where rate characters Almjhorh more than 76%, and this fits with the purpose of self-pity which increases vocabulary panic, pain and wailing on the deceased.
This and ask God to benefit this research, and to make it a brick in the edifice of stylistic studies. Thankfully in the first and in the Hereafter.