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العنوان
صور الليل عندشعراءالرومانسية فى مصر /
المؤلف
ناصر،نادية لطفى حمدين .
هيئة الاعداد
باحث / نادية لطفى حمدين ناصر
مشرف / مصطفى عبد الشافى
تاريخ النشر
2002.
عدد الصفحات
316ص.؛
اللغة
العربية
الدرجة
ماجستير
التخصص
اللسانيات واللغة
تاريخ الإجازة
1/1/2002
مكان الإجازة
جامعة عين شمس - كلية الآداب - اللغة العبرية و ادابها
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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from 32

المستخلص

In the name of the merciful and compassionate god ”our bod, do not elide our hearts after you had
guided us, and gave us from your own a mercy, your are the benefitor” 8 I .ALOmran.
In the subject of the night’s picture for the Romantic poets in Egypt, I talked in the first
chapter about the term of night linguistically; the names for night ware various, and its
linguistic vocabularies; it is the ”dogn”, ”Dogan, ”Daji”, ”Fasfer”, ”Aiif’, and otherwise.
It has various adjectires; it is a night which is ”moukfahir”, ”Moudalham”, ”Ghayhab”, ”Afree
nigth”, ”Hard” ”Aandas”, and a night as ”El Daamae”, as ”Ellttag” , and an ”Aghddaf night”, and
”Tothel”, and a fallen leaves night”, all that implies the extreme darkness.
While geographically, the earth’s turning around itself is what causes the night and daylight, and
that according to the direction of the sun; if it was directed toward one half of the earth, then
it will be day and the other night, successively according to the sun’s movement.
In the greet philosophy, the night is studied under the term of night, so it is a part of the time.
The time must has an end; which means that extrication is associated with the time, and the mental
logic dies with the time, the time is fitted by the emotion where the logic of emotion is the logic
o.f tension, so the principle of non contradiction on which the mental logic is based is
rejected.
Pinto snys that the time iF.J on essence which Is inflnitc u·lh •· the
end of the world, and time for him has parts and pictures; as for its