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العنوان
البناء الدرامي في مسرح محمد ناصف :
المؤلف
الغازي, مروة أحمد المكاوي أحمد.
هيئة الاعداد
باحث / مروة أحمد المكاوي أحمد الغازي
مشرف / سمير السعيد حسون
مناقش / محمد سيد أحمد ربيع
مناقش / سيد نعيم شريف ناصر
الموضوع
المسرحيات العربية - مصر - قرن 20. المسرحية - تاريخ ونقد.
تاريخ النشر
2017.
عدد الصفحات
598 ص. ؛
اللغة
العربية
الدرجة
الدكتوراه
التخصص
اللغة واللسانيات
تاريخ الإجازة
01/04/2017
مكان الإجازة
جامعة المنصورة - كلية الآداب - قسم اللغة العربية وآدابها
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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from 551

المستخلص

The theme of this study is the dramatic construction in theater Mohammad Nassif applied critical study. The present study Introduction and pave the introduction and six chapters as follows: Introduction : And dealing with the division of research to its doors and its chapters and the approach taken in the study. Boot: The drama deals with the term has different concepts as well as the definition of Muhammad Nasif. Chapter One: The Struggle And it addresses the dramatic conflict in Mohammed Nassif Theater indicating the types of dramatic conflict with him and the factors driving the conflict in dramatic theater, whether this conflict externally or internally. Chapter Two: personal forms of theater attendance Deals with personality types in Mohammed Nassif theater in the light of the drawing of the play personal language and thought of ways Chapter III: Dialogue It addresses theatrical dialogue and how it played a role in determining personal drama features, explaining dialogue attributes, namely: Twaldeh dialogue, economy and realism, with the appropriate language to the theme of the play necessity. Chapter Four: Space Elzimkani Elzimkani space addresses in Mohammed Nassif theater space, differentiating between the term as a novelist and a term between the terms of time and place .modha the aesthetics of the place techniques include, pluralistic and distracting. Chapter Five: The functioning of the dramatic language mechanisms and eat the functioning mechanisms of dramatic language where language is the most important art forms that characterize literature strength and weakness, it has addressed the issue of the play between the classical and vernacular language, and Haaratha Samaiah language and meaning of the silence. Chapter VI: Almistoaa dramas for the formation of Altnasy And deals with the types of intertextuality religious and historical, literary and popular, with a clarification of the meaning of intertextuality among the Arabs and the West Conclusion: addresses the key findings of the research results A list of references and sources reached by the message.