الفهرس 
التمهيديوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The poets of the seventies were considered among the first poets to reject the poetic structure with its well-known components, by adopting a new poetic vision contrary to the old poetic vision, seeking expressive tools and artistic methods based on creativity and innovation, and communicating with human heritage by employing symbols and legends, interacting with various contemporary cultures and civilizations, and benefiting from various The sources of human thought and openness to the possibilities you find enriching the poetic text, and repetition is reborn among the poets of free poems because of the expressive capabilities it contains, which can enrich the meaning to the degree of originality. For this chapter, as the concept of genre theory has become in doubt, given that poetry bears the meaning of plurality and multiplicity of species, because poetry is not one type, but rather several types… It is a type of literary discourse that includes all the aesthetic linguistic features that have been achieved in one way or another. In what is called poetry, the matter does not need an argument to assert that the literary genre is subject to changes imposed by the historical stage and modern transformations. Sympathetic and cultural. Poetic creativity has transcended the cosmetic aspect related to the form to what achieves its poeticity, and repetition is one of the creative techniques, as it is a cosmic phenomenon under the influence of man, because it is an integral part of the manifestations of the universe. Repetition is part of this repetitive system, and one of its forms, and it is an artistic existence, because it is a learned or acquired expressive method, but rather because it is a true expression of something that man has instincted with and does not have a neutralizer from, meaning that repetition is an integral part of the cosmic life of man.