الفهرس 
الفصل الاول : مقدمةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The proposed study involves the relation between architectural components and cinema standards as an operational tool to develop a research concern, using the main elements of design and its principles the spatial design, composition, Mise-en-scene, and editing/montage.
Blinding the narration and editing. Is genuinely ’a binding together thought that’s recurrent in a professional or creative movie and cinema scene’ which includes the narrative based
It is the structure of thoughts. The last-mentioned one, Mise-en-scene, can be Defined as ’’putting in the scene,’’ It covers the course of action of the view such as the heading of on-screen characters, the arrangement of cameras, design of the set, etc. It may be summed up as ’’the action of space; it is the frame’s design.’’ Withdrawing from designing ’’within’’ the frame, there is too one more point to be considered all through this thing about planning the sequences of frames in editing/montage in editing/montage. Alluding to the third component, editing/montage can be characterized as a get-together, the act of constructing something, putting it together, or altering it. It could be a strategy by which an editor may make distinctive portrayals by taking and combining two film tapes their meaning and make them a portion of an entire composition (ÇETİN, 2006).
When the composition is clarified as planning the components in an efficient orderly of actions to get an interconnected aesthetic totality, the points of location of an architectural design named as ”the fundamental principles of architectural design” in other words we can say that it is a common ground to produce and evoke the scene in the most atheistic visual experience.” Successively, the seventh art, term of cinema can also be briefly defined as the composition of space and time.
In other words, it is the cautious course of action of space and time in which the narrative is gotten by selecting, organizing, and rendering components on the visual field with a sense of cinematic meaning.