الفهرس | Only 14 pages are availabe for public view |
Abstract Many of Buero Vallejo’s works are linked to music. This thesis studies this music-drama interrelation in his dramaturgy, focusing on music as an integral element of his plays. The significant value of music is to underline, expand, develop and evoke eras, environments and situations. Furthermore, musical motifs accompany the entrances and exits of the characters. We propose to analyze the importance of the musical element in Buero Vallejo’s plays, focusing on the three musical missions in his work: transporting the spectator to the past, accompanying certain moments in the plot or the dramatic situation and also its autonomous role wherein the music itself is the protagonist. Music in Buero Vallejo’s dramaturgical works is the premise on which this thesis is based. We propose to demonstrate the variety of contributions of music in Buero Vallejo’s plays. Music in his plays is not only a combination of sounds, but there is always an extramusical meaning behind it because it plays an important role in the spectator’s understanding of the message the author wishes to convey. |