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العنوان
الأبعاد المفاهيمية والفنية للحروفيه بتقنية الكولاج لإثراء الجوانب الابداعيه في التصوير المعاصر /
المؤلف
الفيلكاوي, بشائر جاسم.
هيئة الاعداد
باحث / بشائر جاسم الفيلكاوي
مشرف / أحمد عبد الحفيظ محمد
مشرف / علا أحمد يوسف
مشرف / علا أحمد يوسف
الموضوع
التربية الفنية. الرسم. التصوير.
تاريخ النشر
2022.
عدد الصفحات
233 ص. :
اللغة
العربية
الدرجة
ماجستير
التخصص
الفنون البصرية والفنون المسرحية
الناشر
تاريخ الإجازة
1/1/2022
مكان الإجازة
جامعة حلوان - كلية التربية الفنية - الرسم والتصوير
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

مستخلص الدراسة
يستعرض هذا البحث الأبعاد المفاهيمية والفنية للحروفيه بتقنية الكولاج لإثراء الجوانب الابداعيه في التصوير المعاصرحيث يتكون من خمسة فصول ، في الفصل الأول بعنوان التعريف بالبحث ومنهجيته ويتضمن المقدمة ومشكلة البحث والأهمية والأهداف والحدود والدراسات المرتبطة والمفردات اللغوية.
والفصل الثاني بعنوان مراحل تطور الخط العربي ودوره في نشأة الحروفية وتناولت الباحثة في هذا الفصل الخط العربي ودوره في نشأة الحروفي، كما تعرضت البحاثة لخصائص الخط العربي ، والفصل الثالث بعنوان الحروفية وفن الكولاج تناولت الباحثة في هذا الفصل الحروفية وفن الكولاج وأهميته وفلسفته ودوره في إثراء فن التصوير، كما قامت الباحثة بعرض الكولاج والحروفية فى مدارس الفن الحديث ، وتناولت الكولاج والحروفية في بعض اتجاهات فن ما بعد الحداثة ، أما الفصل الرابع بعنوان دراسة تحليلية لأعمال فناني الحروفية فقد تناولت الباحثة في هذا الفصل دراسة تحليلية لمجموعة من أعمال الفنانين الحروفيين العرب والأجانب .
وفي الفصل الخامس قدمت الباحثة في هذا الفصل التجربة الذاتية القائمة على ما توصلت له في الدراسة متضمنة فيها أسلوب الكولاج اليدوي والرقمي ودمجه بالخط العربي من خلال مجموعة من محاور تجريبية ، وقد قامت الباحثة بالتوصل إلى بعض النتائج والتوصيات التي تخص البحث الحالي ، كما قامت بعرض مجموعة من المراجع العربية والأجنية التي استندت إليها الدراسة.
summary
This research reviews the conceptual and artistic dimensions of lettering using the collage technique to enrich the creative aspects of contemporary painting. It consists of five chapters as follows:
Chapter one: Introduction to the research and its methodology
It includes the introduction, research problem, importance, objectives, limits, related studies, and linguistic vocabulary.
Chapter Two: The stages of the development of Arabic calligraphy and its role in the emergence of calligraphy
In this chapter, the researcher dealt with Arabic calligraphy and its role in the emergence of Al-Horoufi, where she shed light on the emergence of Arabic calligraphy, types of Arabic calligraphy, including (Kufic calligraphy - Naskh calligraphy - Thuluth calligraphy - Ijazah calligraphy (signature) - Diwani calligraphy - Raq’ah calligraphy - Persian calligraphy - Tughra calligraphy) The researchers were also exposed to the characteristics of Arabic calligraphy.
Chapter Three: Letters and the art of collage
In this chapter, the researcher dealt with lettering, the art of collage, its importance, its philosophy, and its role in enriching the art of painting by presenting the art of collage, its types and the most important materials used in it, with a presentation of its origin and history.
The researcher also presented collage and lettering in schools of modern art, such as collage when cubism, futurism, Dadaism, surrealism, and abstract expressionism, and dealt with collage and lettering in some trends of postmodern art.
Chapter Four: An Analytical Study of the Works of Al-Horoufiya Artists
In this chapter, the researcher dealt with an analytical study of a group of works by Arab and foreign calligraphers, numbering fifteen, whose artworks included the use of Arabic calligraphy and the technique of collage.
Chapter Five: The applied research experience
In this chapter, the researcher presented a self-experiment based on what she found in the study, including the method of manual and digital collage and integrating it with Arabic calligraphy through a set of experimental axes, where the experiment was based on the following axes:
The first axis: the production and development of artistic works based on the use of manual collage with letter formation through:
1. Producing (2) works based on diacritics through the use of a single letter
2. Producing (4) works based on diacritics using more than one letter
The second axis: the production and development of artistic works based on the use of digital collage with letter formation through:
1. Production of (4) works based on the use of digital collage with diacritics through the use of a single letter
2. Production of (4) works based on the use of digital collage with diacritics using more than one letter
The third axis: the production of (2) works based on the use of Arabic calligraphy and collage, inspired by the Kuwaiti heritage
The researcher reached some results and recommendations related to the current research, and presented a group of Arabic and foreign references on which the study was based.

extract
This research reviews the conceptual and technical dimensions of lettering using the collage technique to enrich the creative aspects of contemporary painting.
The second chapter is entitled the stages of the development of Arabic calligraphy and its role in the emergence of the letter Painting, as the researcher presented collage and lettering in schools of modern art, and dealt with collage and lettering in some directions of postmodern art. As for the fourth chapter, entitled an analytical study of the works of literal artists, the researcher has dealt in this chapter an analytical study of a group of works by Arab and foreign literal artists.
In the fifth chapter, the researcher presented in this chapter the self-experience based on what she found in the study, including the method of manual and digital collage, and its integration with Arabic calligraphy through a set of experimental axes. Of the Arabic and foreign references on which the study was based.