الفهرس 
الفصل الاوليوجد فقط 14 صفحة متاحة للعرض العام
 |  | from | 244 |  |  |
| | | from | 244 | | |
المستخلص
With the convergence and openness of cultures and the ease of artistic, scientific and social communication around us in the world, artistic methods have reflected ideas and aesthetics from East and West. They have been influenced by Islamic painting expressing its ideas, philosophy and plastic phenomenon. In addition, they were inspired by Western postmodern arts. This explains that Islamic vision is manifested in arts through different features like contemporary visual, intellectual, and aesthetic arts which makes it continuous over ages to be integrated and incorporated in modern and contemporary ideas and techniques without abandoning its luster or originality. The study deals with the most important factors of visual vision of Islamic painting including its philosophy, aesthetic emotion, and features of the mystical side seeking to express radiance and joy through colors and concession from the realistic, and material perspective. The interest in the spiritual perspective is manifested through the throwing style, calligraphy, and Arabesque in forming and modifying the realistic elements and the features of modern arts which turns the features of its philosophy into nihilism, anarchism, skepticism, multiculturalism, openness, non-diagnostic, and deconstruction. The result is marvelous works of art combining the aesthetic and intellectual features of Islamic and postmodern painting. Those works can be found in local and international art exhibitions and biennials which greatly support contemporary Islamic art.Therefore, we need to learn about the visual vision of contemporary Islamic arts to enhance our cultural identity and contemporary arts neither excessively nor insufficiently in order to provide distinguished works.