الفهرس 
مقدمةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
This research aims at reading the poetry language in Abi Al Alaa’ sdivan titled SAQT AL ZAND which involved his poetric vision. He tries to
achieve that by an orientation Searching for the human existence adventure and
the action of human spirit in that poetry. This orientation disclosure vitality of
that siprit and its furitfulness by disclosuring vitality the essence of human
existence toward its desires and expectation and its challenges as well. Poetry
has been - and still so - the device which implies the adventure of human
existence lab led with conflict between expectation and disappointment and
willand limitations, as poetry is considered the pole of bright human awareness
and the conatiner of griefs, expectations and deep questions the Man will never
inqure them in his searching and penetrating into metaphysic world. Poetry also
is the incarnation of human virgin nature. For the above mentioned reasons the
research was divided into four chapters preceeded by an introduction and
preface and followed with conclusion and references and resources.
I have presented in the preface an acknowldgment of Abi Al Alaa and
his two diavns (”SAQT AL ZAND” & ”Dareiat”). I tried to read the
cremony or speech of SAQT AL ZAND in a way that is comlied with the real
stance of Abi Al Alaa. Then I have reviewed some previous studies showing
that insuffecient intrest had no bee directed toward Abi Al Alaa poetry un away
introduces us into his good priori and fruitful rich inner nature. I have pointed
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in the end of that research to the methodology or approach followed in it.
The first chapter is entitled ”dimension of poetry language” and
divided into three sections. The first one is ”poetry language .. the language of
absence” talks about poetry language nature, its allegorical activity, its own
strategy and its most dimensions. I have also speculated poetric ambiguity
implied in that language, the nature of relationship between content and the
shape and the relationship between sound and function by talking about poetric
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rhym and special essence of rhymic characteristicsor phonatic formations and
their or poetric vision.
In the second section ”Abou Al Alaa and poetry language” I have
discussed Abi Al Alaa relationship with language and imagenation through
talking about about imagination relationship with physical awareness, watching
and memory, and the language and the nature of that relationship and Abi Al
Alaa’s.stance toward them.
In the third ”poetry language and contact” I have discussed poetry
and value or poetry and its relationship with life and its difficulties, the Man
and his griefs. Poetry still has a related core with the life and with the life and
with what griefs in that life its own deep nature communication values through
its functiontional interctions with its cultural and civilised context.
The second chapter is entitles ”poetry and rhym” and divided into
three also. The three sections were concerned with the sense or meaning rhym
and functioned - move through following the allegoricall vision by discussion
and considering. The first section ”rhym of senese and the meaning of rhyrn”
talks about accordance and differnciation. I have tried by speculating that two
terms to know the rhym of meaning and its deep move into poetric models
from the divans ”SAQT AL ZAND” and ”DAREIAT” . In the second section
”The Time Structure” I have tried to follow the movement of poetric time
shaping in SAQT AL ZAND’s poems. And in the third section I have
discussed the phenomenon of recycling in SAQT AL ZAND under its relatio
with vision and the movement of deep function.
The third chapter is entitled ”poetry language ... the shining of
awareness” and history of absence” and is divided into two sections. The
first section ”The Eighth of Tighten Seven” concerned with finding parts in
the appraised ”model” one in SAQT AL ZAND and its pivot, so I have
presented allegorical structure of appraised one” - model -” in SAQTA AL
ZAND.
Also, the second section ”AI Ghawaber” or - the previous or late
ones” in AL DAREIA T divan was concerned with finding allegorical
structure of DAREIAT. I have tried to read different aspects of the label
”DAREA or Shield” under the circumistances of spirit crisis of awareness
crisis and the relationship of crisis with language an in incarination for the
human existence drama.
The forth chapter is entiled ”poetry language ..the vision and the
device” and is contatined four analytical models in four sections. The first one
is ”Tair Al Maa and Habo Al Alas - water bird and seed of Alaas” and the
second of crisis - Yawam Al Shar .. Azmet AI Rouh and Rouh of Azma.
The third section is ”Thaworet AI Secoun and Secoun of Thawra -
Revolution of Silence and Silence of Thawora” and the fourth one is -
Hawmat AI Doja and Nour AI Waai - coming out of Darkness and the
light of awareness”. I have tried in these analytical models to introduce parts
of Abi Al Alaa’s vision in SAQT AI ZAND & DAREIAT divan by reading
the poetry language in all beautiful surfaces of resources.
These chapters were followed by a conclusion contained the most
important findings that I have found then appendecies of resources and
references.