الفهرس 
المقدمةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The thesis consists of an introduction, five chapters and a conclusion containing the results of the study. The introduction indicates the approach followed to determine the POET’s PRINT objectively, an approach whose benefit crystalized when it became possible to distinguish the poetry of Ka’ab from the poetry of any other poet of his school, those who were considered the standard example of his poetry in many respects. The introduction provides also a definition of stylistics and a clear comprehensive definition of style.
Chapter I, entitled Stylistic Diagnosis on the Phonetic level, is divided into four sections. The first section A New Concept of the Relation Between Meter and Rhythm determines the borders between meter and rhythm. The second section entitled The descriptive Study of Ka’ab’s Collection of Poetry comparing it with the Two Collections of Aws and Zuhair shows how Ka’ab’s style positively or negatively differed from that of his school members. In the third section entitled, Identifying the Stylistic Features Through the Analysis of The Detailed Descriptive Study. The ratio of Ka’ab’s choice of ”Zahafat” and ”elal” is determined in addition to the Rhythmic Speed of every meter. In the fourth section The Stylistic Features in Ka ’ab ’s Collection in the Light of the Rhythmic Speed Law, the study relates the Rhythmic Speed to the semantic purposes in the poems.
Chapter II, entitled the Stylistic Diagnosis on the Level of
Structure, is divided into three sections. In the first section : Ka’ab’s Style Between Using Adjectives and Verbs, adjectives and verbs are
counted and employed in the light of Busemann’s Equation from which the study greatly benefitted by relating excitation to Rhythmic Speed Law. In the second section entitled The key word ”JJe”and Decoding the
Character in the Framework of the Theory of Semantic Fields, the key
word ”<Ji&” is related to its semantic field forming a lexographical network
which linked the parts of the collection in one phiosophical unit. The third section The Phenomena of Lexical Structure is divided into four subsections :
1-Lexical selection.
2- Lexical Repetition.
3- Derivational Pun.
4- Partial Quoting others.
Chapter HI. Stylistic Diagnosis on the Level of Structure illustrates how Ka’ab forms his structures. It is divided into three sections as well. The first section The Descriptive study of Sentence Patterns in the Collection presents a complete description of sentence patterns and the most frequent ones in Ka’ab’s poetry. The second section Inversion shows how the poet uses inversion to set the rhym. The descriptive study of all the rhyms of the collection also indicates how the poet employs the numerous syntactic devices such as inversion .. etc. The third section Structural Phenomena in Ka’ab’s Poetry is about Ka’ab’s stylistic deviation, poetic licence and sudden transition.
Chapter IV Stylistic Diagnosis on the Semantic Level is
divided into two sections In the first section Ojhective Correlatives of the Most Important Images in Ka’ab’s Poetry, the study illustrates some poetic images which distinguish Ka’ab from the rest of his school members such as describing the deadly way. It indicates also the unity of the symbol which ka’ab wants to achieve through some images such as the images of the woman, the she-camel and the zebra and through the phenomenon of life and deprivation which included all the human beings
02in the collection. In the second section The Descriptive Study of sentence Patterns in the Collection, the statistical study counts the total number of similes, metaphors and metonymies in the collection.
Chapter V : Ka’ab’s Original and Attributed Poetry inihe
Framework of the Unity of the Text handles the harmony of the collection according to one artistic and semantic tendency through which we can distinguish Ka’ab’s style from that of others. This chapter is divided into two sections. In the first section A New Approach to Judge the Original and the Attributed Poetry ofKa’ab, The study establishes the rules of the stylistic approach which can be applied on the original and the attributed of Ka’ab’s poetry. In the second section The Original and the Attributed of Ka’ab’s Poetry, the applied study succeeded to judge the original and the attributed poetry of ka’ab purifying his poetry from what mixed with it of the poetry of Aws and Zuhair and from the poetry claimed to be his. In the conclusion the resulted of the study are mentioned.